Dominique Fils-Aimé            
Contemporary Soul/R&B Influenced by Billie Holiday, Etta James, Nina Simone

Marisa Anderson       
Cloud Corner
Serene Folk Guitar Instrumentals from Portland

Mark Applebaum      
Speed Dating
Experimental Spoken Word Music / Contemporary Classical Music

Typh Barrow
The Belgian Amy Winehouse

Thomas Bartlett and Nico Muhly   
Peter Pears: Balinese Ceremonial Music    
Gamelan Transcriptions and Contemporary Songs Inspired by Them

Nik Bärtsch’s Ronin   
Zen Funk

Laila Biali        
Laila Biali        
Jazz Vocals (with Pop-Rock Flavoring)

Brickwork Lizards    
British Pop with Arabic Ingredients

Leon Bridges
Good Thing    
Retro Soul

Philippe Bronchtein  
Me and the Moon      

Brooklyn Youth Chorus        
Silent Voices  
Contemporary Choral Music from Nico Muhly, Caroline Shaw, Jeff Beal and others

Cedric Burnside        
Benton County Relic
Raw Hill Country Blues

Capella Prolationum / Ensemble La Danserye     
Gaspar Fernandes & Alonso de Bonilla: Chanzonetas       
Latin American Music from Guatemala in the 1600s

Cat Power      

John Coltrane            
Both Directions at Once: The Lost Album   
Previously Unreleased John Coltrane Album from 1963

Kizzy Crawford/Gwilym Simcock/Sinfonia Cymru            
Birdsong / Cân Yr Adar          
Bilingual Welsh Chamber Pop (Spiced with Jazz and Bird Songs)

David Crosby
Here If You Listen     

Polyphonic Folk Pop

Sarah Davachi           
Let Night Come On Bells End The Day       
Late Night Drones for Mellotron, Organ and Other Keyboards

Kris Davis and Craig Taborn           
Two-Piano Progressive Jazz

Miles Davis & John Coltrane            
The Final Tour: The Bootleg Series, Vol. 6  
First Authorized Release of Live Jazz Performances from 1960

Les Divas Dugazon    
Chant- and Polyphony-Based Belgian Pop

Kit Downes    
Contemporary Improvised Music for Church Organ

Joshua Dumas           
Night Songs for the Birds of North America           
Improvised Ambient Soundscapes for Birds

Jeremy Dutcher        
Wolastoqiyik Lintuwakonawa          
Contemporary Music Inspired by (and Incorporating) 1907 Wax Cylinders of Wolastoq First Nation Music

Anderson East           
Nashville-Flavored Soul Music

Tanya Ekanayaka      
Twelve Piano Prisms            
Contemporary Piano Music from Sri Lankan-British Composer, Pianist and Musicologist

Kurt Elling (with Branford Marsalis)   
The Questions           
Jazz Vocals

Tommy Emmanuel (with guests)   
Accomplice One         
Fingerstyle Guitar

Brian Eno       
Music for Installations         
6 Album Box Set Featuring New, Rare and Previously Unreleased Ambient Music

Ensemble Gilles Binchois, Dominique Vellard        
Fons Luminis: Codex Las Huelgas   
Anonymous Music from a Spanish Monastery (Circa 1300)

Ensemble Naya & Yaniv d'Or          
Medieval and Baroque Music from Europe, Turkey and the Near East

Erroll Garner
Previously Unreleased Live Recording from 1964

Joe Garrison   
The Broken Jar          
Hybrid of Contemporary Chamber Music and Cool West Coast Jazz

Mary Gauthier           
Rifles and Rosary Beads       
Singer-Songwriter Collaborates with Veterans and Their Families

Jonny Greenwood     
Soundtrack to Phantom Thread      
Film Soundtrack

Sameer Gupta            
A Circle Has No Beginning    
Soul Music Masquerading as Jazz / World Music Fusion

Bruce Haack   
Preservation Tapes   
Avant-Garde Christian Electronica

Ross Hammond and Jay Nair           
Songs Of Universal Peace     
Spiritual Music Fusing the Traditions of India and Appalachia

Kitsos Harisiadis        
Lament In A Deep Style 1929-1931           
Haunting Greek Clarinet Music from the 1920s

Ben Harper & Charlie Musselwhite           
No Mercy In This Land         

Jon Hassell     
Listening To Pictures (Pentimento Volume One)
First Album in 9 Years from Visionary Electronic Music Composer

Anna von Hausswolff            
Dead Magic    
Mystical Organ-Driven Drone Pop

Catherine Christer Hennix   
Selected Early Keyboard Works      
Experimental Archival Recordings for Well-Tuned Just Intonation Fender Rhodes and Sine Wave Drone

Fred Hersch   
Live In Europe           
Jazz Piano Trio

Keith Jarrett
After the Fall  
Previously Unreleased Live Jazz Recording from 1998

Martin David Jones  
Friedrich Gulda: Piano Works          
Concert Piano Music Composed by a Genre-Crossing Keybaord Virtuoso

Henry Kaiser (with Bill Laswell and Rudresh Mahanthappa)     
Mudang Rock
Ritualistic Improvised Music Inspired by Korean Shamanism

Kim Kashkashian     
Bach: Six Suites For Viola Solo         
Bach Cello Suites Performed on Viola

Con Todo el Mundo
Texas Country Instrumentals with Thai and Surf Flavors

Arat Kilo, Mamani Keita, Mike Ladd            
Visions Of Selam        
Hip-Hop Meets Afrobeat

Gus La Casse  
Young Maine Fiddler Plays Acadian and Cape Breton-Inspried Music with Fierce Energy

Julian Lage     
Modern Lore  
Jazz Guitar Trio

The Lazy Lies
Less Talk More Action           
Retro 1960s Rock from Barcelona

Matteo Liberatore     
Contemporary Guitar Music

Joe Lovano & Dave Douglas (Sound Prints)

The Low Anthem       
The Salt Doll Went To Measure The Depth Of The Sea    
Hypnotic Folk-Pop from Rhode Island

Fernando de Luca    
Handel: Complete Preludes & Toccatas from the Bergamo Manuscript
Previously Unknown/Unrecorded Keyboard Music by Handel

Anne Akiko Meyers   
Mirror in Mirror        
Ethereal Contemporary Music for Violin

Mid-Air Thief   
Unconventional Hybrid of Electronic and Acoustic Folk Music from Korea

Nils Petter Molvaer/ Sly & Robbie  
Jamaican Reggae Meets Norwegian Chamber Jazz

Janelle Monáe            
Dirty Computer         
Contemporary Pop/R&B

Mountain Man           
Magic Ship     
Three-Voice Appalachian Rural Polyphony

David Myles   
Real Love        
Retro Rock & Roots from Nova Scotia

Meshell Ndegeocello
Alternative R&B

Nordic Raga   
Nordic Raga   
Fusion of Nordic Folk Music and South Indian Carnatic Music

Adam Nussbaum       
The Leadbelly Project           
Jazzy Tribute to Folk-Blues Legend Leadbelly

Unconventional Chicago Pop-Rock Duo

Selected Organ Works          
Ambient Music for Pump Organ

Miles Okazaki
Work:  The Complete Compositions of Thelonious Monk, Vol. 1-6          
Entire Corpus of Thelonious Monk Compositions Performed on Solo Guitar

Piano & a Microphone 1983            
Unreleased Prince  Solo Tracks from 1983

Tuomo Puranen & Timo Kaukolampi         
Soundtrack to Euthanizer    
Noir/Ambient Film Soundtrack Featuring the Jouhikko, an ancient Finnish Bowed Lyre

Steve Reich    
Contemporary Minimalism

Gyan Riley      
Genre-Crossing Guitar and Ukulele Music

Cécile McLorin Salvant         
The Window  
Vocal Jazz

The Shacks     
Mellow Pop for Slackers

Wayne Shorter          
Jazz (with Graphic Novel)

Paul Simon     
In the Blue Light       
Singer-Songwriter with Jazz Accompaniment

Sons of Kemet           
Your Queen Is a Reptile       
Caribbean-Flavored Dance Jazz from London

Bobo Stenson
Contra La Indecisió   

Carl Stone      
Electronics Music from the Eighties and Nineties             
Fin de Siècle Los Angeles Electronic Music

Sunwatchers II          
Thai Folk Melodies + Free Jazz + Mutant Funk

Theotis Taylor           
Something Within Me          
Unfinished 1979 Project by the Georgia Gospel Legend Completed by Young Collaborators

Dan Tepfer    
Natural Machines      
Video Album Featuring the Real-Time Intersection of Improvised Piano and Computer Algorithms

Lord of the Desert     
American Desert Music from Utah

Strange Paradise       
Brooklyn Percussion Trio

Ultra-Laidback, Strange and Very Slow Electropop

Toto Bona Lokua       
Afro-French Trio (An African Crosby, Stills & Nash)

I Can Feel You Creep Into My Private Life             
Art Pop

Various Artists           
The Music of the Secret Society That Owns Belgrade     
Hot New Bands from Serbia

Various Artists           
I'm Not Here To Hunt Rabbits         
Guitar Music from Botswana

Singing from the Source       
Traditional Folk Music for Solo Voice

Ben Walker    
The Fox on the Downs          
Intricate Folk/Celtic Fingerstyle Guitar with a Sprinkling of Renaissance Music

Colter Wall     
Songs of the Plain     
Traditional Cowboy-Style Country Music

Joanna Wallfisch       
Blood & Bone
Contemporary Pop/Art Songs

Kamasi Washington  
Heaven and Earth     
Jazz (and More)

Walter Wolfman Washington          
My Future is My Past            
Under-Produced Soul Music from 74-Year-Old New Orleans Singer

The Yearning             
Take Me All Over the World            
Brill Building-Influenced Contemporary Pop Music

Zeal & Ardor  
Stranger Fruit            
Black Metal Meets Black Folk Music

Denny Zeitlin
Wishing on the Moon           
Jazz Piano Trio
The 100 Best Albums of 2018

Selected by Ted Gioia
Follow Ted Gioia on Twitter at
Here are my picks for the 100 best albums of 2018 (in alphabetical order this year). These are
drawn from all styles and all genres. Happy listening!

Here are another 100 albums from 2018 that deserve your attention.

Theo Alexander: Broken Access            
Piano Music (with Sound Manipulation)

Laurie Anderson & Kronos Quartet: Landfall          
Contemporary Chamber Music with Storytelling

Ichiko Aoba: qp       
Experimental Chill-Folk-Pop from Japan

Aqueduct Ensemble: Improvisations on an Apricot          
If ECM Had Its Headquarters in Akron, Ohio…

Angelo Arciglione & Eleonora Turtur: Mario Castelnuovo-Tedesco: Exotica          
World Premiere Recording of 1934 Music for Piano and Violin

Maya Beiser & David Lang: The Day          
Contemporary Classical Music for Cello and Spoken Word

The Beths: Future Me Hates Me
Power Pop for Road Trips

Kadhja Bonet: Childqueen    
Unconventional Orchestral R&B

Brasil Guitar Duo/Delaware Symphony Orchestra: Leo Brouwer: The Book of Signs;
Paulo Bellinati: Concerto Caboclo       
Cuban/Brazilian Classical Music for Guitar

Till Brönner & Dieter Ilg: Nightfall         
Trumpet/Bass Jazz Duets

David Byrne: American Utopia       

Brent Cobb: Providence Canyon   
Country & Western Funk

Anat Cohen & Fred Hersch: Live in Healdsburg    
Clarinet/Piano Duets

Sara Colman: What We're Made Of            
Unconventional British Singer-Songwriter

Shemekia Copeland: America's Child         

Sylvie Courvoisier: Trio D'Agala   

Kyle Craft: Full Circle Nightmare            
Dylan-ish Singer-Songwriter

Dingonek Street Band: Primal Economics      
Street Brass Band from Brooklyn

Dolce Suono Trio: American Canvas      
Contemporary Chamber Music (by Jennifer Higdon, Shulamit Ran, Andrea Clearfield, and Zhou Tian)

Monsieur Doumani: Angathin        
Activist Dance Music from a Hot 3-Piece Cypriot Band

Niño de Elche: Antología del Cante Flamenco Heterodoxo            
Heterodox Flamenco

Estonian Philharmonic Chamber Choir / Kaspars Putnins: Schnittke: Psalms of
Repentance; Pärt: Magnificat & Nunc Dimittis       
Modern Choral Music

Everything is Recorded (Richard Russell with Guest Artists)" Everything is Recorded        
All-Star R&B / Hip-Hop / EDM / Pop

Sullivan Fortner: Moments Preserved  
Jazz Trio Album from New Orleans-Born Pianist

Jeffrey Foucault: Horse Latitudes Solo / Acoustic Demos      
Minimalist Acoustic Country

Nils Frahm: All Melody      
Maximalist Ambient

Fretwork: John Jenkins: Complete Four-Part Consort Music
Seventeenth Century British Chamber Music

Bill Frisell: Music Is          
Solo Guitar

Jim Ghedi: A Hymn for Ancient Land     
North Yorkshire Ambient

Tigran Hamasyan: For Gyumri     
Armenian-Influenced Jazz

John Hardin/Tin Can Luminary & the Orchestra of the Unwanted: Nightmare Castle      
Horror Film Music Played on an Orchestra Made from Recycled and Found Materials

Stefon Harris + Blackout: Sonic Creed    
New Millennium Hard Bop

Beth Hart: Front and Center: Live from New York      
Blues-and-Soul Inflected Singer-Songwriter

Jonathon Heron: Half Penny Ballard's
Mystical Folk Music

James Hunter Six: Whatever It Takes    
Otis Redding-ish Retro Soul/R&B

José James Lean on Me    
Tribute to Soul Singer Bill Withers

Keith Jarrett: La Fenice        
Previously Unreleased Live Solo Piano Recording from 2006

Roy Lee Jones: Devil's in the Whiskey          
Down Home Blues

Er-Gene Kahng/ Janacek Philharmonic: Florence Price: Violin Concertos      
Early 20th Century Classical Music from Pioneering African-American Composer

Ryan Keberle & Frank Woeste: Reverso - Suite Ravel            
Ravel-Inspired Contemporary Jazz Suite

David Kechley: The Walbrzych Project         
Rhythmically-Charged Contemporary Orchestral Music

Angélique Kidjo: Remain in Light         

David Lang: Mystery Sonatas        
Contemporary Music for Solo Violin

Aaron Larget-Caplan: John. Cage. Guitar.     
Music of John Cage Arranged for Guitar

LA Phil New Music Group: Lou Harrison: Young Caesar            
Gamelan-Inspired Modern Opera

The Louvin Brothers: Love and Wealth: The Lost Recordings      
Previously Unreleased Country Music Demos from 1951-1956

Heather Lowe/The Joyful Company of Singers: Ralph Vaughan Williams:
Beyond My Dream        
Previously Unrecorded Music for Greek Drama by Ralph Vaughan Williams

Melaní Luraschi: Lumbral         
Peruvian Folk Pop

Shai Maestro: The Dream Thief       
Chamber Jazz

Gabacho Maroc: Tawassol        
North African Trance Music

Jako Maron: The Electro Maloya Experiments of Jako Maron   
Contemporary Electronica Influenced by the Folk Traditions of Réunion, an Island near Madagascar

Anne-Marie McDermott: Haydn: Piano Sonatas, Vol. 2            
Classical Music

Kate McGarry/Keith Ganz/Gary Versace: The Subject Tonight is Love
Jazz Vocals

Jim McNeely/The Frankfurt Radio Big Band: Barefoot Dances and Other Visions            
Contemporary Big Band Jazz

Brad Mehldau: Seymour Reads the Constitution!    
Jazz Piano Trio

Hailu Mergia: Lala Belu        
Ethiopian Retro Funk

Midlife: Phase  
Daft Punk Meets Steely Dan

Father John Misty: God's Favorite Customer      

Moontribe: Moontribe      
Ritualist Percussion-Driven Music by Anonymous Performer

Wolfgang Muthspiel (with Brad Mehldau & Ambrose Akinmusire): Where The River Goes          

Willie Nelson: Last Man Standing    

Thandi Ntuli: Exiled
Genre-Defying Jazz/R&B Fusion from South Africa

Nu Guinea: Nuova Napoli Afro-Disco
Italian Funk from Naples

Shuggie Otis: Inter-Fusion   
Rock Guitar Recluse /Legend Releases First Studio Album in 44 Years

Rhia Parker: Ghosts Contemporary
Music for Two Recorders

Philadelphia Orchestra / Yannick Nézet-Séguin: Leonard Bernstein: Mass     
Modern Liturgical/Theatrical Music

Noah Preminger: Genuity           
Jazz Saxophony

Red Dog Guitars: Cigar Box Old Time Americana 3 and 4 String Bottleneck Recordings   
Cigar Box Guitar Old-Timey Blues

Joshua Redman: Still Dreaming            

The Re-Stoned: Stories of the Astral Lizard   
Russian Psychedelic Trance Music

Max Richter: Soundtrack to Hostiles          
Film Soundtrack

The Rileys: Way Out Yonder       
Genre-Crossing Contemporary Music from Terry Riley and Gyan Riley

Renee Rosnes (with Chris Potter): Beloved of the Sky    

Curtis Salgado & Alan Hager: Rough Cut      

Joe Satriani: What Happens Next
Guitar-Driven Rock

Jordi Savall: Venezia Millenaria 700-1797          
One Thousand Years of Venetian Music (comes with a 300-page book)

Seasick Steve: Can U Cook?   
Raw and Cooked Blues

Trygve Seim: Helsinki Songs           
Nordic Jazz

Sibarg Ensemble: Cipher            
Traditional Iranian Music/Jazz

Silesian Quartet: Mieczyslaw Weinberg: String Quartets 8-10         
Soviet Chamber Music of the Cold War Period

Brinton Averil Smith/Houston Symphony: Mario Castelnuovo-Tedesco: Cello Concerto          
First Performance and Recording in More Than 80 Years of MCT's Neo-Romantic Cello Concerto

Dr. Lonnie Smith: All in My Mind           
Jazz Organ

Luciana Souza: The Book of Longing
Jazz-Inflected Art Song Settings of Poetic Texts

Colin Stetson: Soundtrack to Hereditary    
Innovative Horror Film Soundtrack Featuring Unpitched Clarinet Music, Electronically Altered Voice, Drones, Etc.

John Surman: Invisible Threads      

Richard Swift: The Hex          
Mix-and-Match Tapestry of Mid-1960s Pop Music Tropes

They Might Be Giants: I Like Fun       

Linda Thompson (with Guest Artists): My Mother Doesn't Know I'm On the Stage          
British Music Hall Songs

Mark Turner & Ethan Iverson: Temporary Kings      
Piano/Saxophone Duets

Various Artists: J-Jazz - Deep Modern Jazz from Japan 1969-1984           
Rare Japanese Jazz Tracks from 1969-1984

Various Artists: Moondog        
Contemporary Musicians Pay Tribute to Street Musician/Composer Moondog (1916-1999)

Various Artists: Navegando: Un Tributo a Guillermo Anderson     
Tribute Album Dedicated to Pioneering Honduran Music Guillermo Anderson

Various Artists: Strange Angels: In Flight With Elmore James        
Blues Tribute Album

Various Artists: We Out Here  
Compilation of Current-Day London Jazz

Martinho da Vila: Alô Vila Isabeeel!!!     

Chester Watson: Project 0         
Hip-Hop for Meditation

Doc Watson: Live at Club 47          
Previously Unreleased Traditional Folk Music from 1963

Norma Winstone: Descansado: Songs for Films            
Jazz Interpretations of Cinematic Music

Miguel Zenón: Yo Soy la Tradición   
Music for String Quartet and Saxophone Drawing on Jazz and  Puerto Rican Folkloric Traditions

Zohastre: Pan and the Master Pipers  
Punk Ambient Bagpipe Drone Music
Related Links:

The 100 Best Albums of 2017
The 100 Best Albums of 2016
The 100 Best Albums of 2015
The 100 Best Albums of 2014
The 100 Best Albums of 2013
The 100 Best Albums of 2012
The 100 Best Albums of 2011


I am often asked how I compile my
annual list of the 100 best albums.
Here is some background information.  

What is different about this year's list?

I am listing my top 100 and honorable
mention albums for 2018 in alphabetical
order, rather than ranking them. This
marks a change from pre-2017 lists. I
am doing this because each of these
albums deserves recognition and the
sequential ranking tended to focus
too much attention on just a few

What styles of music do I include in my

I listen to all genres and all styles of
music. I like to listen to music that is
fresh and different, and this spurs me
to search outside the dominant
commercial categories and hit
releases. But I also listen to the
heavily promoted albums from the
major labels.    

How much music do I listen to?   

I like to hear new music every day.   
During 2018 I listened to more
than 1,000 new  album releases.
(The exact number was 1,028.)  

Why do I compile this list?

Like any music lover, I enjoy
sharing my favorite music with others.
But in the last few years, a different
motivation has spurred me. I believe
that the system of music discovery is
broken in the current day. There is
more music recorded than ever before,
but it is almost impossible for listeners
to find the best new recordings. The
most creative work in music is
increasingly found on self-produced
projects and releases from small
indie labels— to an extent hardly
conceivable only a decade ago. Very
little of this music ever shows up on
the radio or the heavily-promoted
playlists, where formats seem to get
narrower and narrower with each
passing year. Music fans once heard
good new music at indie record stores,
but most of them have closed. Or
they could read reviews in the
newspaper, but both the newspapers
and the music reviews are shrinking or
disappearing. And the big record
labels are the worst culprits of all,
picking acts for their looks or their
potential appeal to fourteen-year-olds,
or some other egregious reason, and
in general jumping on the most trivial
passing fads. On the other hand,
the Internet presents an almost
infinite amount of music and music
commentary—yet where do fans
even begin to separate the good from
the bad and ugly?  My personal solution
to this dilemma has been to listen to
lots and lots of music, and try to
identify recordings of quality and
distinction. I share my list because
I know, from past experience, that
many other listeners are frustrated
with the broken system of music
discovery, and are also looking for
good new music.  

What criteria do I apply?  

I have no axe to grind. My list is
filled with music I enjoy, and suspect
others will too—especially if they
have a reasonably good ear, and
an open mind. I like recordings that
show some flair and creativity, a
sense of style, solid musicianship,
and an emotional commitment to
the moment of performance. I
appreciate it when an artist
possesses a sense of musical
tradition; on the other hand, I don’t
want to see slavish imitation of the
past. When music strikes me as
too formulaic or contrived or cold,
I start to lose interest. Like any critic,
I want my readers to think that I am
cool and hip and oh-so-up-to-date,
but I learned some time ago that
many of the best recordings are
decidedly uncool and unhip. So if
you want to laugh at me for honoring
some superannuated country star or
unfashionable bagpipe album,
go right ahead. But also check
out some of the lesser-known titles on
the might just be pleasantly
surprised by what you hear.

Happy listening!

Note: Any album that represents a conflict of
interest (for example my brother's recent
collaboration with jazz pianist Helen Sung,
which I heartily recommend), is excluded
from  consideration for this best of year ranking
Coming in 2019 from Basic Books:

Ted Gioia's new book
Music: A Subversive History
Ted Gioia
Selected articles by Ted Gioia on the web

The African Origins of the Love Song
The Rise of the Fragmented Novel
Why Are Music Scholars Ignoring Musical Universals?
The Adventurer's Guide to Finnegans Wake
Notes on Conceptual Fiction
Has Music Criticism Turned Into Lifestyle Reporting?
Schopenhauer for Millennials
Vladimir Nabokov, Sci-Fi Writer
Bach the Rebel
How Sartre Cured Existential Angst with Jazz
If John Coltrane Had Lived
Lectures on Proust in a Soviet Prison Camp
The Decline of Satire
Music as Cultural Cloud Storage
My Year of Horrible Reading
The Backlash Against Jazz
The Con Man Who Invented American Popular Music
The Bumbling Shostakovich
The Rise of Artisan Music
The Year American Speech Became Art
What We've Learned About the NSA
The 8 Memes of the Postmodern Mystery
Ted Gioia Interviews Composer Terry Riley
Four Essays on Leo Tolstoy
Why the Fuss About Jonathan Franzen?
Slaves for Love: How Bondage Shaped the Love Song
A Conversation About Jazz with Ted Gioia
The 100 Best Recordings of 2018
The 100 Best Recordings of 2017
The 100 Best Recordings of 2016
The 100 Best Recordings of 2015
The 100 Best Recordings of 2014
The 100 Best Recordings of 2013
The 100 Best Recordings of 2012
The 100 Best Recordings of 2011
The Weirdest 1960s Novel of Them All
Franco: The James Brown of Africa
How Alice Got to Wonderland
Does the Music Business Need Musicianship?
The King of Western Swing
Post Cool
The Year of Magical Reading
Why Music Owernship Matters
The Tragic Story of America's First Black Music Star
Frank Sinatra at 100
Ella Fitzgerald at 100
Music and Violence (video talk)
What is the Clumsiest Classic Novel?
The Crisis in Music (podcast)
The Weird Tales of H.P. Lovecraft
How to Fix Online Music
My 10 Favorite Novels on Music
A Conversation with Ted Gioia about Love Songs
The Music of the Tango
The Letter That Changed the Course of Modern Lit
The End of the Angry Guitar
Is Miles Davis's Kind of Blue the Greatest Jazz Album?
How Joan of Arc Conquered Mark Twain
The Most Intriguing Musicians of 2017
Doris Lessing's The Golden Notebook
Do Blues Musicians Need to be Really, Really Old?
The Unconventional Sci-Fi of Kurt Vonnegut
Twelve Essential Tango Recordings
Alan Lomax and the FBI
Robert Musil and The Man Without Qualities
Cool Jazz in 100 Tracks (Part 1) (Part 2)
Lecture on the History of Love Songs
Henry James, Horror Writer
Why Only Revolutions Will Not Be Televised
David Foster Wallace's Infinite Jest
The Crisis in Music (video lecture)
How Good a Singer Was Dean Martin?
How Music Videos Changed Love Songs
Why Bessie Smith Matters
The Zombification of Popular Music
The New Revolt of the Masses
Was Ambrose Bierce Inspired by Agoraphobia?
Apple's New Paradigm for Music
Fix-Up Artist: The Chaotic SF of A.E. van Vogt
Jazz Vocals in the New Millennium
A History of New Orleans Music in 100 Tracks
The Making of Ulysses
The Great American Novel That Wasn't
In Search of Dupree Bolton
Gulliver's Travels and the Birth of Genre Fiction
Five Essays on Novelist John Fowles
Where Did Our Revolution Go?
How Lester Young Changed the English Language
The Reinvention of the Cowboy Novel
The Many Lives of James Joyce
The Complex Gender History of the Love Song
William Gaddis's The Recognitions
5 Lessons the Music Biz Can Learn from TV
Hipsters: The New Scapegoats
B.B. King's Best Performances
The Most Mysterious Woman in Sci-Fi
12 Memorable Works of Hispanic Fiction
Thomas Pynchon's Inherent Vice
The Alt Reality Nobel Prize
The Decline of a Great Jazz Record Label
Don DeLillo's Underworld
How NY Became Center of the Jazz World
Milton Nascimento: 12 Essential Tracks
When Science Fiction Grew Up
The Most Influential Film of the 20th Century
Donna Tartt's The Goldfinch
Is Sleep Music a Real Genre?
Jonathan Franzen's The Corrections
Curse You, Neil Armstrong!
Bill Evans: 12 Essential Tracks
Early Vintage Wynton Marsalis
Remembering Cordwainer Smith
My Favorite American Novel
Q&A with Ted Gioia
The Jazz Pianist JFK Saved
A Look Back at Martin Gardner
Robert Heinlein at One Hundred
The Fourteen Skies of Michael Chabon
Is Bird Dead?
Philip K. Dick's VALIS
Why Lester Young Matters
Vladimir Nabokov's Pale Fire
Making a Case for Clark Ashton Smtih
Italo Calvino's Winter's NIght
Jonathan Lethem's The Fortress of Solitude
Could Chet Baker Play Jazz?
Thomas Pynchon's Gravity's Rainbow
The Jazzy Side of Frank Zappa
Fritz Leiber at 100
Günter Grass's The Tin Drum
John Coltrane: Prophet and Seer (video)
David Mitchell's Cloud Atlas
Harlem Jazz: 12 Essential Tracks
Mark Z. Danielweski's House of Leaves
The Postmodern Mystery: 50 Essential Works
Art Tatum at 100: 12 Essential Tracks
Fringe Guitar
J.G. Ballard's Crash
Interview with Dana and Ted Gioia
The Puzzling Case of Robert Sheckley
Robert Johnson and the Devil
Fear and Self-Loathing in Scandinavia
Herbie Hancock: 12 Essential Tracks
Remembering Drums of Passion
Three Existential Horror Novels
Keith Jarrett: 12 Essential Tracks
In Defense of The Hobbit
Brad Mehldau: 12 Essential Tracks
David Foster Wallace's The Pale King
The South Asian Tinge in Jazz
Assessing Brad Mehldau at Mid-Career
Cormac McCarthy's Blood Meridian
Can Clubs Legally Ask Musicians to Play for Free?
Jonathan Littell's The Kindly Ones
Lennie Tristano: 12 Essential Tracks
Virginia Woolf's Orlando
Why Cool is Dead
A Tribute to Richard Matheson
The Pianism of Denny Zeitlin
The Chronicles of Narnia
David Bowie's Jazz-Oriented Valedictory
Tito Puente: The Complete 78s (1949-1955)
Toni Morrison's Beloved
The Tragedy of Richard Twardzik
Michael Chabon's Telegraph Avenue
The Science Fiction of Samuel Delany
Can Tarzan Survive in a Post-Colonial World?
Duke Ellington's Sacred Music
Ian McEwan's Atonement
Can a Dictionary be a Novel?
New Details About the Young William Gaddis
Interview with Ted Gioia (on Delta Blues)
William Gaddis's JR
Roberto Bolaño's 2666
Talking to Myself About the State of Jazz
Harper Lee and Her Great Southern Novel
Thomas Mann's The Magic Mountain
Italo Calvino's Neglected Sci-Fi Masterpiece
Philip Roth's American Pastoral
Ken Kesey's Novel-in-a-Box
How I Learned I Was a Jazz Fan